We discussed syndicating notes from your website to Twitter at yesterday\u2019s Homebrew Website Club in light of the upcoming Twitter ownership transfer, as a way to demonstrate existing POSSE technology and encourage more people to adopt IndieWeb approaches. I expressed that I struggle with *whether* I want to do this rather than *how*. What seems like it should be a simple step \u2014 posting to Twitter from my website \u2014 reveals itself as a complex decision rooted in how I want to present myself online.
\nTl;dr: having one place to host all my content is simplest, but means being ok with uniting all aspects of my identity.
\n\n
I consider each platform to have a distinct purpose, so I silo where information belongs in my mind,* even when I own the silos.
\n* I also have this struggle with notebooks, and can\u2019t write the wrong info in the wrong notebook. It\u2019s a problem \ud83d\ude02
\nI started my blog Cascadia Inspired in 2011 as a way to help me adopt the Pacific Northwest as my home, and over the years my focus has shifted to creative work. My blog hosts long-form articles, photo collections, and personal accountability \u2014 in short, anything about making things.
\nIn 2020, I transformed tracydurnell.com from a dead portfolio website to a digital garden, a place to save information and start to think about it, without having high expectations of myself for producing high quality writing or original insights. My intention for this site, up to this point, has been to track and process my intake.
\nWanting to reduce my use of Instagram and Twitter, I joined micro.blog in 2021. I use the microblogging service to post (mostly boring) things from my daily life. What I post on my micro blog is personal, rooted in connection.
\nAnd I still have my Twitter account, which I created in 2014 and have used sporadically since, finding it addictive. I knew it was a problem when I started composing tweet commentary in my head as I walked around during the day. Periodically, I go through my past tweets and purge most, granting myself a clean slate from past opinions. I have to resist falling back into the habit of commentary, which I in particular needed to be careful of when I worked in local government. I hold onto this silo because I get very little interaction on my blog or this website, so Twitter remains in my communication stack for promotion.
\nNow that I have more channels, I\u2019m struggling with where exactly other content I want to make should live:
\nAs I juggle this increasing number of decisions, and want to add more varieties of content, it\u2019s raising bigger questions, namely:
\nShould all of my writing and information live in one spot? I\u2019ve been writing at Cascadia Inspired for ten years*, so I don\u2019t want to erase that history. Yet this site bears my name. Does it make sense that the website under my name \u2014 likely the first impression people get about me \u2014 hosts my arguably shittiest work, while my highest quality work is off on another site? \ud83e\udd14 *Dramatic music plays*
\n* And apparently I posted about my ten year blogiversary on Twitter but not on my website \ud83e\udd26\u200d\u2640\ufe0f
\nIt comes down to identity: I have faceted elements of my online identity onto different platforms, but the boundaries are mutable.
\nIf you only read my micro.blog, you\u2019d think all I care about is reading and baking. My Twitter account is mixed content-wise, but overall with the intent of demonstrating I\u2019m thoughtful and enthusiastic. My blog presents a clearer picture of my interests and personality since it hosts my accountability posts, but paints me perhaps more philosophical and reflective. And this digital garden is the most unfiltered of my writing, covering the broadest range of my interests, but in slapdash quality.
\nHaving only one platform would certainly make the decision-making process about where to post things easier. But even here on tracydurnell.com, I segment info by having a separate RSS feed for my read posts, which I exclude from my main digital garden RSS feed \u2014 in a way, filtering what identity is shared by different feeds.
\nIn thinking all this through, my instinctive balking at combining my writing streams may be more resistance to change than reasoned refusal \u2014 there are a number of potential benefits I\u2019ve raised in this exploration. Instead, the problem is more in feeling comfortable freely expressing myself everywhere I am online, and letting go of my \u2018work voice.\u2019 As an anxious person who struggles with caring too much about what others think of me, this is rooted in fear of rejection. How much do these platform personas benefit me, and how much do they hold me back?
\n" } ], "syndication": [ "https://news.indieweb.org/en" ], "like": [ { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Marty McGuire says:\u00a0@\u00a0martymcgui.re" ], "photo": [ { "value": "https://martymcgui.re/images/logo.jpg", "alt": "", "srcset": { "2x": "https://martymcgui.re/images/logo.jpg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Marty McGuire says:\u00a0@\u00a0martymcgui.re", "lang": "en-US" } ], "url": [ "https://martymcgui.re/2022/10/27/172200/" ], "published": [ "2022-10-27T14:22:00-0700" ], "name": [ "\u2605 Liked https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/" ], "content": [ { "value": "\u2605 Liked https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/", "lang": "en-US", "html": "\u2605 Liked https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/
" } ] }, "id": "div-comment-3960", "value": "\u2605 Liked https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/", "lang": "en-US" }, { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Joe Crawford says:\u00a0@\u00a0artlung.com" ], "photo": [ { "value": "https://artlung.com/blog/wp-content/uploads/2023/02/IMG_9150-100x100@2x.jpeg", "alt": "", "srcset": { "2x": "https://artlung.com/blog/wp-content/uploads/2023/02/IMG_9150-100x100@2x.jpeg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Joe Crawford says:\u00a0@\u00a0artlung.com", "lang": "en-US" } ], "url": [ "https://artlung.com/likes/7ad1e505d389d2511fc9eebd6c2c2d6d" ], "published": [ "2026-03-31T12:47:06-0700" ], "name": [ "Links I have found notable, webmentions sent where applicable" ], "content": [ { "value": "Links I have found notable, webmentions sent where applicable", "lang": "en-US", "html": "Links I have found notable, webmentions sent where applicable
" } ] }, "id": "div-comment-15360", "value": "Links I have found notable, webmentions sent where applicable", "lang": "en-US" } ], "mention": [ { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Tracy Durnell says:\u00a0@\u00a0tracydurnell.com" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg", "alt": "", "srcset": { "2x": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Tracy Durnell says:\u00a0@\u00a0tracydurnell.com", "lang": "en-US" } ], "url": [ "https://tracydurnell.com/2022/11/01/the-addictive-nature-of-twitter/" ], "published": [ "2022-11-01T17:48:18-0700" ], "name": [ "Twitter is the only thing that\u2019s ever made me feel addicted. The combination is my catnip: learning interesting things, seeing pretty art, following live events as they unfold (especially ones that seem poorly covered by the news), venting about politics, and pumping up my emotions.\nI fought back against my Twitter addiction by hard blocking the domain, which worked reasonably well for several years. Except I wasn\u2019t really free of it, because I managed a Twitter account for work. So I was still on Twitter multiple days a week, and writing tweets. Even when I got some colleagues to pitch in shifts on managing Facebook, I was always solely responsible for Twitter. Then when the pandemic hit and I switched to remote work, I had to unblock the domain on my computer so I could access my work Twitter account. I resisted posting and engaging on my personal Twitter account, but reading alone is enough to rile me up.\nNow that I have quit my job, for the first time in nearly eight years I truly have a choice about whether to use Twitter.\nI agree with Ben Werd: \u201cI\u2019m afraid of leaving Twitter for two reasons: because I might miss something from someone, and because someone might miss something from me. In other words, I feel like I need to be on the platform to stay informed for the good of myself, and to let people know about the work I\u2019m doing for the good of my career.\u201d\n\nThe FOMO of Twitter is real and legitimate; I have learned so much I wouldn\u2019t have without it. I\u2019ve learned tons about ableism and accessibility from following disability advocates. I\u2019ve gotten better updates about COVID directly from scientists and public health experts. These are clear benefits to my life.\nBut this is the trap: the grain of real value floating in a toxic sea. \u201cI won\u2019t stay in that long \u2014 the acid won\u2019t hurt that bad in a quick dip,\u201d you tell yourself.\nIt will.\nIt eats away at your emotions and thought patterns, etching itself deeper with every dip.\nFor me, the site brings more negativity than optimism, feeding my cynical and pessimistic tendencies. For as much as I learn about ableism, I rage about injustices out of my control.\nAnd a lot of what I learn from Twitter *feels* important, but instead feeds a cycle of despair and disempowerment. Book industry updates. News about Iran and Ukraine and Russia. Political decisions and rulings. Book bans. Shootings. Hate crimes.\nDo I really need to hear about every horrible event across the United States, the world? Must I bear witness to and the emotional burden of every act of terror, of racism, of injustice?\n\u2018Privilege\u2019 is levied as if it is my moral obligation to join the suffering, when my suffering does nothing to help or lessen others\u2019, it just adds to the pool of misery.\nAnd The Discourse feels like the public conversation you need to be part of to be relevant, to be part of whatever industry or group is tearing itself apart on any given day. But it\u2019s usually about somebody\u2019s fuckup. And the personal nature of the attacks \u2014 Twitter famously has the daily Main Character you Do Not Want To Be \u2014 is almost always disproportionate to the error. Death threats, getting people fired, cancelling new authors\u2019 debuts.\nIt\u2019s especially galling when someone\u2019s life is torn apart based on a misunderstanding or Having A Bad Opinion. But no one dares push back on this vengeful cycle for fear of drawing the Furies\u2019 wrath upon themselves. I\u2019m not crying Cancel Culture, but there is a difference between holding accountable people in positions of power and authority, and destroying a normal person\u2019s life for one mistake, potentially taken out of context. As Timothy Snyder wrote in On Tyranny, \u201cNo one has a private life that can survive public exposure by hostile directive.\u201d People are not perfect, and it feels ironic that it\u2019s often the group advocating against prison that wants to mete out punishment. If we believe in second chances, shouldn\u2019t that also apply to people who have done something non-criminal as well?\nPart of me wonders if I\u2019ve done this to myself by following people who post about this. If I\u2019m rubbernecking and enjoy it more than I want to admit. If there could be a way to get the good of Twitter without the bad \u2014 but I think that\u2019s a question born of addictive mindset and denial.\nBecause it\u2019s also an illusion that Twitter will help you. That you must be there for the sake of your career. I have seen very little engagement with my work on Twitter. Maybe I\u2019m bad at self promotion. Maybe my work sucks. Maybe I have no followers interested in my actual work. But the perception that Twitter will help my career is, for me at least, a meager justification for staying on a toxic platform.\nI must give channels of self-promotion due consideration as I pivot to freelance work \u2014 yet for the type of services I offer and my target audience, Twitter is an unlikely place for me to connect with potential clients. For my blogging and other creative work, there are other barriers to people engaging with my work that I could put my attention to first, like publishing more consistently, writing more meaningful titles, and investing more time in editing. Pretending Twitter is the answer to gaining respect for and engagement with my work is an addict\u2019s excuse that removes responsibility from myself." ], "content": [ { "value": "Twitter is the only thing that\u2019s ever made me feel addicted. The combination is my catnip: learning interesting things, seeing pretty art, following live events as they unfold (especially ones that seem poorly covered by the news), venting about politics, and pumping up my emotions.\nI fought back against my Twitter addiction by hard blocking the domain, which worked reasonably well for several years. Except I wasn\u2019t really free of it, because I managed a Twitter account for work. So I was still on Twitter multiple days a week, and writing tweets. Even when I got some colleagues to pitch in shifts on managing Facebook, I was always solely responsible for Twitter. Then when the pandemic hit and I switched to remote work, I had to unblock the domain on my computer so I could access my work Twitter account. I resisted posting and engaging on my personal Twitter account, but reading alone is enough to rile me up.\nNow that I have quit my job, for the first time in nearly eight years I truly have a choice about whether to use Twitter.\nI agree with Ben Werd: \u201cI\u2019m afraid of leaving Twitter for two reasons: because I might miss something from someone, and because someone might miss something from me. In other words, I feel like I need to be on the platform to stay informed for the good of myself, and to let people know about the work I\u2019m doing for the good of my career.\u201d\n\nThe FOMO of Twitter is real and legitimate; I have learned so much I wouldn\u2019t have without it. I\u2019ve learned tons about ableism and accessibility from following disability advocates. I\u2019ve gotten better updates about COVID directly from scientists and public health experts. These are clear benefits to my life.\nBut this is the trap: the grain of real value floating in a toxic sea. \u201cI won\u2019t stay in that long \u2014 the acid won\u2019t hurt that bad in a quick dip,\u201d you tell yourself.\nIt will.\nIt eats away at your emotions and thought patterns, etching itself deeper with every dip.\nFor me, the site brings more negativity than optimism, feeding my cynical and pessimistic tendencies. For as much as I learn about ableism, I rage about injustices out of my control.\nAnd a lot of what I learn from Twitter *feels* important, but instead feeds a cycle of despair and disempowerment. Book industry updates. News about Iran and Ukraine and Russia. Political decisions and rulings. Book bans. Shootings. Hate crimes.\nDo I really need to hear about every horrible event across the United States, the world? Must I bear witness to and the emotional burden of every act of terror, of racism, of injustice?\n\u2018Privilege\u2019 is levied as if it is my moral obligation to join the suffering, when my suffering does nothing to help or lessen others\u2019, it just adds to the pool of misery.\nAnd The Discourse feels like the public conversation you need to be part of to be relevant, to be part of whatever industry or group is tearing itself apart on any given day. But it\u2019s usually about somebody\u2019s fuckup. And the personal nature of the attacks \u2014 Twitter famously has the daily Main Character you Do Not Want To Be \u2014 is almost always disproportionate to the error. Death threats, getting people fired, cancelling new authors\u2019 debuts.\nIt\u2019s especially galling when someone\u2019s life is torn apart based on a misunderstanding or Having A Bad Opinion. But no one dares push back on this vengeful cycle for fear of drawing the Furies\u2019 wrath upon themselves. I\u2019m not crying Cancel Culture, but there is a difference between holding accountable people in positions of power and authority, and destroying a normal person\u2019s life for one mistake, potentially taken out of context. As Timothy Snyder wrote in On Tyranny, \u201cNo one has a private life that can survive public exposure by hostile directive.\u201d People are not perfect, and it feels ironic that it\u2019s often the group advocating against prison that wants to mete out punishment. If we believe in second chances, shouldn\u2019t that also apply to people who have done something non-criminal as well?\nPart of me wonders if I\u2019ve done this to myself by following people who post about this. If I\u2019m rubbernecking and enjoy it more than I want to admit. If there could be a way to get the good of Twitter without the bad \u2014 but I think that\u2019s a question born of addictive mindset and denial.\nBecause it\u2019s also an illusion that Twitter will help you. That you must be there for the sake of your career. I have seen very little engagement with my work on Twitter. Maybe I\u2019m bad at self promotion. Maybe my work sucks. Maybe I have no followers interested in my actual work. But the perception that Twitter will help my career is, for me at least, a meager justification for staying on a toxic platform.\nI must give channels of self-promotion due consideration as I pivot to freelance work \u2014 yet for the type of services I offer and my target audience, Twitter is an unlikely place for me to connect with potential clients. For my blogging and other creative work, there are other barriers to people engaging with my work that I could put my attention to first, like publishing more consistently, writing more meaningful titles, and investing more time in editing. Pretending Twitter is the answer to gaining respect for and engagement with my work is an addict\u2019s excuse that removes responsibility from myself.", "lang": "en-US", "html": "Twitter is the only thing that\u2019s ever made me feel addicted. The combination is my catnip: learning interesting things, seeing pretty art, following live events as they unfold (especially ones that seem poorly covered by the news), venting about politics, and pumping up my emotions.
\nI fought back against my Twitter addiction by hard blocking the domain, which worked reasonably well for several years. Except I wasn\u2019t really free of it, because I managed a Twitter account for work. So I was still on Twitter multiple days a week, and writing tweets. Even when I got some colleagues to pitch in shifts on managing Facebook, I was always solely responsible for Twitter. Then when the pandemic hit and I switched to remote work, I had to unblock the domain on my computer so I could access my work Twitter account. I resisted posting and engaging on my personal Twitter account, but reading alone is enough to rile me up.
\nNow that I have quit my job, for the first time in nearly eight years I truly have a choice about whether to use Twitter.
\nI agree with Ben Werd: \u201cI\u2019m afraid of leaving Twitter for two reasons: because I might miss something from someone, and because someone might miss something from me. In other words, I feel like I need to be on the platform to stay informed for the good of myself, and to let people know about the work I\u2019m doing for the good of my career.\u201d
The FOMO of Twitter is real and legitimate; I have learned so much I wouldn\u2019t have without it. I\u2019ve learned tons about ableism and accessibility from following disability advocates. I\u2019ve gotten better updates about COVID directly from scientists and public health experts. These are clear benefits to my life.
\nBut this is the trap: the grain of real value floating in a toxic sea. \u201cI won\u2019t stay in that long \u2014 the acid won\u2019t hurt that bad in a quick dip,\u201d you tell yourself.
\nIt will.
\nIt eats away at your emotions and thought patterns, etching itself deeper with every dip.
\nFor me, the site brings more negativity than optimism, feeding my cynical and pessimistic tendencies. For as much as I learn about ableism, I rage about injustices out of my control.
\nAnd a lot of what I learn from Twitter *feels* important, but instead feeds a cycle of despair and disempowerment. Book industry updates. News about Iran and Ukraine and Russia. Political decisions and rulings. Book bans. Shootings. Hate crimes.
\nDo I really need to hear about every horrible event across the United States, the world? Must I bear witness to and the emotional burden of every act of terror, of racism, of injustice?
\n\u2018Privilege\u2019 is levied as if it is my moral obligation to join the suffering, when my suffering does nothing to help or lessen others\u2019, it just adds to the pool of misery.
\nAnd The Discourse feels like the public conversation you need to be part of to be relevant, to be part of whatever industry or group is tearing itself apart on any given day. But it\u2019s usually about somebody\u2019s fuckup. And the personal nature of the attacks \u2014 Twitter famously has the daily Main Character you Do Not Want To Be \u2014 is almost always disproportionate to the error. Death threats, getting people fired, cancelling new authors\u2019 debuts.
\nIt\u2019s especially galling when someone\u2019s life is torn apart based on a misunderstanding or Having A Bad Opinion. But no one dares push back on this vengeful cycle for fear of drawing the Furies\u2019 wrath upon themselves. I\u2019m not crying Cancel Culture, but there is a difference between holding accountable people in positions of power and authority, and destroying a normal person\u2019s life for one mistake, potentially taken out of context. As Timothy Snyder wrote in On Tyranny, \u201cNo one has a private life that can survive public exposure by hostile directive.\u201d People are not perfect, and it feels ironic that it\u2019s often the group advocating against prison that wants to mete out punishment. If we believe in second chances, shouldn\u2019t that also apply to people who have done something non-criminal as well?
\nPart of me wonders if I\u2019ve done this to myself by following people who post about this. If I\u2019m rubbernecking and enjoy it more than I want to admit. If there could be a way to get the good of Twitter without the bad \u2014 but I think that\u2019s a question born of addictive mindset and denial.
\nBecause it\u2019s also an illusion that Twitter will help you. That you must be there for the sake of your career. I have seen very little engagement with my work on Twitter. Maybe I\u2019m bad at self promotion. Maybe my work sucks. Maybe I have no followers interested in my actual work. But the perception that Twitter will help my career is, for me at least, a meager justification for staying on a toxic platform.
\nI must give channels of self-promotion due consideration as I pivot to freelance work \u2014 yet for the type of services I offer and my target audience, Twitter is an unlikely place for me to connect with potential clients. For my blogging and other creative work, there are other barriers to people engaging with my work that I could put my attention to first, like publishing more consistently, writing more meaningful titles, and investing more time in editing. Pretending Twitter is the answer to gaining respect for and engagement with my work is an addict\u2019s excuse that removes responsibility from myself.
Liked Lumpers vs Splitters: How Many Paper Notebooks Do You Use at One Time? (Analog Office)
\n\nLumpers like to gather things into larger, fuzzier categories. They focus on the commonalities.
\nSplitters like to separate things into smaller, more fine-grained categories. They focus on the differences.
I haven\u2019t encountered this binary before, but absolutely am a splitter of information \u2014 which is likely why I struggle with the idea of a single website for everything \ud83d\ude05 I find it a little ironic that\u2019s the direction my brain trends towards for organizing information when my background is ecology, which I was attracted to because it recognizes the interconnectedness of biotic and abiotic systems \ud83d\ude09
" } ] }, "id": "div-comment-5768", "value": "Liked Lumpers vs Splitters: How Many Paper Notebooks Do You Use at One Time? (Analog Office)\n\nLumpers like to gather things into larger, fuzzier categories. They focus on the commonalities.\nSplitters like to separate things into smaller, more fine-grained categories. They focus on the differences.\n\nI haven\u2019t encountered this binary before, but absolutely am a splitter of information \u2014 which is likely why I struggle with the idea of a single website for everything \ud83d\ude05 I find it a little ironic that\u2019s the direction my brain trends towards for organizing information when my background is ecology, which I was attracted to because it recognizes the interconnectedness of biotic and abiotic systems \ud83d\ude09", "lang": "en-US" }, { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Tracy Durnell says:\u00a0@\u00a0tracydurnell.com" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg", "alt": "", "srcset": { "2x": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Tracy Durnell says:\u00a0@\u00a0tracydurnell.com", "lang": "en-US" } ], "url": [ "https://tracydurnell.com/2023/06/28/compromising-information/" ], "published": [ "2023-06-28T23:15:34-0700" ], "name": [ "Liked What are your [#indieweb] dreams for the web? by Sara Jak\u0161a (sarajaksa.eu)\n\nI remember on the university, when we were told all the time, to make sure to never post anything compromising on the internet. Compromising was meant as anything that any employer in the future could use against you.\nSome of the obvious ones were pictures of taking drugs or pictures of partying and excessive drinking. But if you listened carefully, they also warned about posting anything, they would not agree with. So I guess no anti-capitalistic posts? Or long art retreats? Or posts about alternative living situations?\nOn the end, what they wanted it for us to control our online image.\nI mean, I still have some traces of this. Will people judge me if I squeal about my favourite manga, anime or books? Can I post some badly research historical notes for myself? Can I rant about my personal problems?\n\nLove Sara\u2019s point here about considering what is compromising and especially from whose perspective \u2014 as a recovering perfectionist and an oddball I still struggle with this. Will I turn off potential clients by ranting about AI or climate change or abortion on my personal website? Can I speak politically, safely? Will I not be taken seriously for writing reviews of romance novels and proudly displaying their covers on my reading page? I haven\u2019t yet posted my consulting website on LinkedIn because I\u2019m embarrassed by its simplicity \u2014 even though I intentionally made the one-page website as a starter because something would be better than nothing \u2014 will I hurt my professional reputation as a designer by sharing a plain website?\nPutting things in writing where anyone can see them carries an element of risk in so many domains. There are some topics I simply won\u2019t allow myself to post about for safety reasons, but otherwise am pretty opinionated and wide ranging in this blog. Bit by bit, I\u2019ve been incorporating and consolidating more of my identity onto this website. It\u2019s in part a rejection of packaging myself into a personal brand, of condensing my interests to a \u201ccoherent\u201d palette, of prioritizing others\u2019 ability to categorize me over my own self-expression.\n\nWhich is why for me, it is 100-times easier to comment on a fanfiction story, then it is on the blog post. Also, it is not at all weird to go through all the stories a certain person had written and comment on their all. Going through the person\u2019s blog posts? That actually feels weird.\n\n\ud83d\ude02 I\u2019m glad I\u2019m not the only one who isn\u2019t 100% sure on modern blog commenting etiquette, and who feels weird sometimes reading others\u2019 blog archives. I still carry latent worries about making a social faux pas and vulnerability from being a kid who didn\u2019t fit in and didn\u2019t read social cues well. (I\u2019m glad I can now recognize these patterns in myself but wish it wasn\u2019t quite so much work to reroute those synaptic pathways!)\nI still haven\u2019t posted my full blogroll, omitting anyone\u2019s site who feels like just another normal person who I haven\u2019t met and talked with multiple times \u2014 I feel awkward to be seen following strangers\u2019 blogs, even though I\u2019m doing the same thing and writing in public \ud83d\ude05\ud83e\udd37\u200d\u2640\ufe0f There are 89 RSS feeds in my \u201cpeople\u201d folder, but I\u2019ve probably only included a handful on my blogroll. (And that\u2019s ignoring everyone I follow on micro.blog, since I read them on site not in RSS.)\nSocial media sets the expectation that you\u2019re meant to be following people, and for others to follow you, though each platform has different norms; it felt weird to follow randos who weren\u2019t essentially \u201cbusinesses\u201d on FB and Instagram, but practically expected on Twitter. I\u2019m curious how others feel about the norms of social commentary and following on the IndieWeb? Even this post is a bit awkward from a post kind perspective, because I\u2019m not really replying to Sara, but I\u2019m also not not? I\u2019ve settled on posting this as a like because I feel a reply post ought to be direct when it\u2019s to another personal website." ], "content": [ { "value": "Liked What are your [#indieweb] dreams for the web? by Sara Jak\u0161a (sarajaksa.eu)\n\nI remember on the university, when we were told all the time, to make sure to never post anything compromising on the internet. Compromising was meant as anything that any employer in the future could use against you.\nSome of the obvious ones were pictures of taking drugs or pictures of partying and excessive drinking. But if you listened carefully, they also warned about posting anything, they would not agree with. So I guess no anti-capitalistic posts? Or long art retreats? Or posts about alternative living situations?\nOn the end, what they wanted it for us to control our online image.\nI mean, I still have some traces of this. Will people judge me if I squeal about my favourite manga, anime or books? Can I post some badly research historical notes for myself? Can I rant about my personal problems?\n\nLove Sara\u2019s point here about considering what is compromising and especially from whose perspective \u2014 as a recovering perfectionist and an oddball I still struggle with this. Will I turn off potential clients by ranting about AI or climate change or abortion on my personal website? Can I speak politically, safely? Will I not be taken seriously for writing reviews of romance novels and proudly displaying their covers on my reading page? I haven\u2019t yet posted my consulting website on LinkedIn because I\u2019m embarrassed by its simplicity \u2014 even though I intentionally made the one-page website as a starter because something would be better than nothing \u2014 will I hurt my professional reputation as a designer by sharing a plain website?\nPutting things in writing where anyone can see them carries an element of risk in so many domains. There are some topics I simply won\u2019t allow myself to post about for safety reasons, but otherwise am pretty opinionated and wide ranging in this blog. Bit by bit, I\u2019ve been incorporating and consolidating more of my identity onto this website. It\u2019s in part a rejection of packaging myself into a personal brand, of condensing my interests to a \u201ccoherent\u201d palette, of prioritizing others\u2019 ability to categorize me over my own self-expression.\n\nWhich is why for me, it is 100-times easier to comment on a fanfiction story, then it is on the blog post. Also, it is not at all weird to go through all the stories a certain person had written and comment on their all. Going through the person\u2019s blog posts? That actually feels weird.\n\n\ud83d\ude02 I\u2019m glad I\u2019m not the only one who isn\u2019t 100% sure on modern blog commenting etiquette, and who feels weird sometimes reading others\u2019 blog archives. I still carry latent worries about making a social faux pas and vulnerability from being a kid who didn\u2019t fit in and didn\u2019t read social cues well. (I\u2019m glad I can now recognize these patterns in myself but wish it wasn\u2019t quite so much work to reroute those synaptic pathways!)\nI still haven\u2019t posted my full blogroll, omitting anyone\u2019s site who feels like just another normal person who I haven\u2019t met and talked with multiple times \u2014 I feel awkward to be seen following strangers\u2019 blogs, even though I\u2019m doing the same thing and writing in public \ud83d\ude05\ud83e\udd37\u200d\u2640\ufe0f There are 89 RSS feeds in my \u201cpeople\u201d folder, but I\u2019ve probably only included a handful on my blogroll. (And that\u2019s ignoring everyone I follow on micro.blog, since I read them on site not in RSS.)\nSocial media sets the expectation that you\u2019re meant to be following people, and for others to follow you, though each platform has different norms; it felt weird to follow randos who weren\u2019t essentially \u201cbusinesses\u201d on FB and Instagram, but practically expected on Twitter. I\u2019m curious how others feel about the norms of social commentary and following on the IndieWeb? Even this post is a bit awkward from a post kind perspective, because I\u2019m not really replying to Sara, but I\u2019m also not not? I\u2019ve settled on posting this as a like because I feel a reply post ought to be direct when it\u2019s to another personal website.", "lang": "en-US", "html": "Liked What are your [#indieweb] dreams for the web? by Sara Jak\u0161a (sarajaksa.eu)
\n\nI remember on the university, when we were told all the time, to make sure to never post anything compromising on the internet. Compromising was meant as anything that any employer in the future could use against you.
\nSome of the obvious ones were pictures of taking drugs or pictures of partying and excessive drinking. But if you listened carefully, they also warned about posting anything, they would not agree with. So I guess no anti-capitalistic posts? Or long art retreats? Or posts about alternative living situations?
\nOn the end, what they wanted it for us to control our online image.
\nI mean, I still have some traces of this. Will people judge me if I squeal about my favourite manga, anime or books? Can I post some badly research historical notes for myself? Can I rant about my personal problems?
Love Sara\u2019s point here about considering what is compromising and especially from whose perspective \u2014 as a recovering perfectionist and an oddball I still struggle with this. Will I turn off potential clients by ranting about AI or climate change or abortion on my personal website? Can I speak politically, safely? Will I not be taken seriously for writing reviews of romance novels and proudly displaying their covers on my reading page? I haven\u2019t yet posted my consulting website on LinkedIn because I\u2019m embarrassed by its simplicity \u2014 even though I intentionally made the one-page website as a starter because something would be better than nothing \u2014 will I hurt my professional reputation as a designer by sharing a plain website?
\nPutting things in writing where anyone can see them carries an element of risk in so many domains. There are some topics I simply won\u2019t allow myself to post about for safety reasons, but otherwise am pretty opinionated and wide ranging in this blog. Bit by bit, I\u2019ve been incorporating and consolidating more of my identity onto this website. It\u2019s in part a rejection of packaging myself into a personal brand, of condensing my interests to a \u201ccoherent\u201d palette, of prioritizing others\u2019 ability to categorize me over my own self-expression.
\nWhich is why for me, it is 100-times easier to comment on a fanfiction story, then it is on the blog post. Also, it is not at all weird to go through all the stories a certain person had written and comment on their all. Going through the person\u2019s blog posts? That actually feels weird.
\ud83d\ude02 I\u2019m glad I\u2019m not the only one who isn\u2019t 100% sure on modern blog commenting etiquette, and who feels weird sometimes reading others\u2019 blog archives. I still carry latent worries about making a social faux pas and vulnerability from being a kid who didn\u2019t fit in and didn\u2019t read social cues well. (I\u2019m glad I can now recognize these patterns in myself but wish it wasn\u2019t quite so much work to reroute those synaptic pathways!)
\nI still haven\u2019t posted my full blogroll, omitting anyone\u2019s site who feels like just another normal person who I haven\u2019t met and talked with multiple times \u2014 I feel awkward to be seen following strangers\u2019 blogs, even though I\u2019m doing the same thing and writing in public \ud83d\ude05\ud83e\udd37\u200d\u2640\ufe0f There are 89 RSS feeds in my \u201cpeople\u201d folder, but I\u2019ve probably only included a handful on my blogroll. (And that\u2019s ignoring everyone I follow on micro.blog, since I read them on site not in RSS.)
\nSocial media sets the expectation that you\u2019re meant to be following people, and for others to follow you, though each platform has different norms; it felt weird to follow randos who weren\u2019t essentially \u201cbusinesses\u201d on FB and Instagram, but practically expected on Twitter. I\u2019m curious how others feel about the norms of social commentary and following on the IndieWeb? Even this post is a bit awkward from a post kind perspective, because I\u2019m not really replying to Sara, but I\u2019m also not not? I\u2019ve settled on posting this as a like because I feel a reply post ought to be direct when it\u2019s to another personal website.
\r \r Liked webmentions make me sad by Alex (alexsirac.com) No, I don\u2019t want to email you or send you a webmention to say \u00ab\u2026
" } ] }, "id": "div-comment-7704", "value": "Liked webmentions make me sad by Alex (alexsirac.com) No, I don\u2019t want to email you or send you a webmention to say \u00ab\u2026", "lang": "en-US" }, { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Tracy Durnell says:\u00a0@\u00a0tracydurnell.com" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=96&d=mm&r=pg", "alt": "", "srcset": { "2x": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=96&d=mm&r=pg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Tracy Durnell says:\u00a0@\u00a0tracydurnell.com", "lang": "en-US" } ], "url": [ "https://tracydurnell.com/start-here/" ], "published": [ "2024-08-20T22:48:08-0700" ], "name": [ "I\u2019ve picked out a few posts under common themes I write about. (There\u2019s also my big questions or the blog index to peruse by topic.) The indie web community | Writing | Reading | Making change Updated 15 January 2025 The indie web community Connecting the indie web Barriers to a more social IndieWeb IndieWeb\u2026" ], "content": [ { "value": "I\u2019ve picked out a few posts under common themes I write about. (There\u2019s also my big questions or the blog index to peruse by topic.) The indie web community | Writing | Reading | Making change Updated 15 January 2025 The indie web community Connecting the indie web Barriers to a more social IndieWeb IndieWeb\u2026", "lang": "en-US", "html": "I\u2019ve picked out a few posts under common themes I write about. (There\u2019s also my big questions or the blog index to peruse by topic.) The indie web community | Writing | Reading | Making change Updated 15 January 2025 The indie web community Connecting the indie web Barriers to a more social IndieWeb IndieWeb\u2026
" } ] }, "id": "div-comment-9461", "value": "I\u2019ve picked out a few posts under common themes I write about. (There\u2019s also my big questions or the blog index to peruse by topic.) The indie web community | Writing | Reading | Making change Updated 15 January 2025 The indie web community Connecting the indie web Barriers to a more social IndieWeb IndieWeb\u2026", "lang": "en-US" } ], "comment": [ { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Tracy Durnell says:\u00a0@\u00a0tracydurnell.com" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg", "alt": "", "srcset": { "2x": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Tracy Durnell says:\u00a0@\u00a0tracydurnell.com", "lang": "en-US" } ], "url": [ "https://tracydurnell.com/2023/07/12/barriers-to-a-more-social-indieweb/" ], "published": [ "2023-07-12T23:14:21-0700" ], "name": [ "Replied to The First Stab at the IndieWeb Interaction Social Norms by Sara Jak\u0161a (sarajaksa.eu) If you read the Tracy\u2019s reply, that made\u2026" ], "content": [ { "value": "Replied to The First Stab at the IndieWeb Interaction Social Norms by Sara Jak\u0161a (sarajaksa.eu) If you read the Tracy\u2019s reply, that made\u2026", "lang": "en-US", "html": "\r \r Replied to The First Stab at the IndieWeb Interaction Social Norms by Sara Jak\u0161a (sarajaksa.eu) If you read the Tracy\u2019s reply, that made\u2026
" } ] }, "id": "div-comment-5856", "value": "Replied to The First Stab at the IndieWeb Interaction Social Norms by Sara Jak\u0161a (sarajaksa.eu) If you read the Tracy\u2019s reply, that made\u2026", "lang": "en-US" }, { "type": [ "h-cite" ], "properties": { "author": [ { "type": [ "h-card" ], "properties": { "name": [ "Tracy Durnell says:\u00a0@\u00a0tracydurnell.com" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg", "alt": "", "srcset": { "2x": "https://secure.gravatar.com/avatar/b1231bba531dc25e30cd37258109de9c?s=125&d=default&r=pg" } } ] }, "value": "https://tracydurnell.com/2022/10/27/deciding-what-belongs-on-my-website/Tracy Durnell says:\u00a0@\u00a0tracydurnell.com", "lang": "en-US" } ], "url": [ "https://tracydurnell.com/2023/08/06/define-your-own-borders/" ], "published": [ "2023-08-06T10:48:02-0700" ], "name": [ "Liked Blog about what you want by James (jamesg.blog) Slowly, and over time, I started venturing into new topics. Words. Moments of joy.\u2026" ], "content": [ { "value": "Liked Blog about what you want by James (jamesg.blog) Slowly, and over time, I started venturing into new topics. Words. Moments of joy.\u2026", "lang": "en-US", "html": "\r \r Liked Blog about what you want by James (jamesg.blog) Slowly, and over time, I started venturing into new topics. Words. Moments of joy.\u2026
" } ] }, "id": "div-comment-6000", "value": "Liked Blog about what you want by James (jamesg.blog) Slowly, and over time, I started venturing into new topics. Words. Moments of joy.\u2026", "lang": "en-US" } ], "author": [ { "type": [ "h-card" ], "properties": { "uid": [ "https://tracydurnell.com" ], "url": [ "https://tracydurnell.com", "https://micro.blog/tracydurnell", "https://micro.blog/tracydurnell?remote_follow=1" ], "photo": [ { "value": "https://secure.gravatar.com/avatar/70c71f48c24aa2fcf7846875fc391c7cff012c5b7db4e265deef5c4aaa67c64e?s=125&d=default&r=pg", "alt": "" } ], "name": [ "Tracy Durnell" ], "note": [ "Writer and designer in the Seattle area. Reach me at tracy@tracydurnell.com or @tracy@notes.tracydurnell.com. 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